Grimes - Visions 12 inch

$32.00 (AUD)

Out of Stock

As a child I feared the day the world would be taken over by robots; these days I am seized by a much more potent fear that I am becoming one. Digital interfaces invade our imagination in strange, tangible ways, and with each day I spend in front of my computer screen, the red Gchat dots representing my friends and co-workers start to look more and more like HAL. Have you ever caught yourself trying to open a new tab in your brain? Was the Wikipedia blackout of 2012 as important a cultural moment as the New York City blackout of '77? Do androids dream of electric sheep, or do you not have an app for that yet?

"Post-internet" is a term that's stuck all too easily (guilty as charged) to Grimes' airy cyborg-pop, thanks in part to her endless quotability in acknowledging the digital world's influence on her aesthetic ("The music of my childhood was really diverse because I had access to everything.") But Visions, the latest and best album from one-woman project of Montreal-based Claire Boucher, complicates the all-too-tidy "post-internet" tag by bringing into focus the many contrasts at the heart of her music: tensions between pop structure and diffuse atmosphere, between technology and the human body, between sensory-overloaded hyper-presence and transcendence. More solidly constructed and a lot more fun to listen to than anything she's put her name to so far, the electro cotton-candy of Visions is an inviting entrance into Grimes' peculiar kind of bliss.